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Rycote InVision USM-L

해외배송 가능상품
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상품명 Rycote InVision USM-L
판매가 109,000원
상품간략설명 Rycote 라이코테 지름 18-55mm 마이크 전용 쇽마운트
적립금 1,090원 (1%)
배송비 3,000원 (50,000원 이상 구매 시 무료)
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상품명 상품수 가격
Rycote InVision USM-L 수량증가 수량감소 109000 (  1090)
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이달의 혜택안내

온오프버튼  
 

이벤트

 

 

InVision USM-L

 

Universal microphone shock-mount ideal for microphones weighing 400 grammes or less (will hold up to 750 grammes in a vertical position) & between 18mm and 55mm in diameter.


Main Benefits:

- Fits any large-diaphragm recording microphone with a diameter between 18 and 55mm

- Complete Pop Filter and Suspension System

- USM offers up to 12dB better isolation against unwanted vibrations

- Pop Filter provides up to 20dB pops and thumps attenuation, with no HF loss

 


Tech Specs: 


Suitable for Large Diaphragm recording microphones

Mic diameters: 18-55 mm
Microphone length: up to 300 mm
Maximum Weight (vertical): 750 g (26.5 oz)
Maximum weight (horizontal): 250 g (17.6 oz)
Suspension Rotation (maximum): 175%


Product Height: 70mm
Product Length: 170mm
Product Width: 120mm
Net Weight: 0.16 

 

 

 

 

 

 


 

호환 마이크

 

ADK A-51The A-51 condenser microphone is designed for use in studios, concert halls, and broadcast applications. It has wide frequency respon...For vertical use only
ADK A-51TCThe A-51TC features a large 1' diameter capsule. It is a single pattern (cardioid) tube microphone. The circuit design utilizes a sp...For vertical use only
ADK Area 51A dual diaphragm top-of-the-line tube microphone. It is similar in electronic design to the A-51TC but nine switched polar patterns a...For vertical use only
ADK HamburgA large diaphragm fixed cardioid microphone related to the Vienna but with a 1' 6 micron capsule. The diaphragm is centre-connected a...For vertical use only
ADK ViennaThe ADK Vienna Edition is intended as pop/rock vocal microphone that can handle a wide variety of high SPL situations. It is a fixed ...For vertical use only
AKG C 1000 SA gradient pre-polarised condenser which uses a polar pattern converter (PPC 100) and a presence boost adapter (PB 1000). It is ideal...For angled and vertical use
AKG C 214A lower cost version of the C414 using a large diaphragm (1') back electret capsule. It is single-sided and fixed cardioid pattern. ...For vertical use only
AKG C 28A classic axial condenser design dating from the 1950s. The preamplifier can be fitted with a CK28A cardioid or less usually a CK26A ...For vertical use only
AKG C 414 B-TL IIThis is a remarkable microphone that exceeds all requirements for digital recording, yet one that also captures the warmth, smoothnes...For angled and vertical use
AKG C 414 B-ULSThe C 414B-ULS has a well-deserved reputation for flawless performance and uncommon flexibility in the most demanding studio and conc...For vertical use only
AKG C 414 B-XliiThe C 414B-XLii is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock ...For vertical use only
AKG C 414 B-XLSThe C 414B-XLS is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock m...For angled and vertical use
AKG C 426 BThis externally polarised, switchable condenser is a linear descendent of AKG's original C 24 stereo microphone.

The upper hea...
For vertical use only
AKG C 522 ENGA version of the C522 design with mechanically adjustable cardioid capsules in an XY configuration. The mutual angle can be adjusted ...For angled and vertical use
AKG C 522 MSA single-point MS microphone for handheld and stand use, particularly as a reporter's microphone. The pick up uses two capsules in MS...For angled and vertical use
AKG D 202A classic and easily identifiable design that uses twin dynamic capsules to sense high and low frequency audio. A cross-over network ...For angled and vertical use
AKG D 224A dual capsule dynamic microphone building on the principles of the earlier D202. The use of a separate LF capsule (mounted in the to...For angled and vertical use
AKG Perception 100The Perception 100 is a rugged metal-bodied studio microphone. The large diaphragm capsule is a 25mm true condenser type and has a on...For vertical use only
AKG Perception 200A large diaphragm studio microphone essentially identical to the Perception 100 but with a switchable bass cut and pad.For vertical use only
Audio-Technica AE 2500-cA revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic...For angled and vertical use
Audio-Technica AE 2500-dA revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic...For angled and vertical use
Audio-Technica AE 3000A high SPL instrument microphone with a low-profile side-address design and tapered grille for optimal positioning. The large diaphra...For angled and vertical use
Audio-Technica AT 2020An economically priced side-address studio microphone. It has wide dynamic range and high SPL handling and thus requires no pad or ga...For angled and vertical use
Audio-Technica AT 2035A 'budget-friendly' studio microphone with a large diaphragm and a fixed cardioid pattern. The design uses a fixed-charge bakplate l...For vertical use only
Audio-Technica AT 2050A 'budget friendly' studio microphone with a variable pattern. The large gold-vaporised dual diaphragm design can be switched to omni...For vertical use only
Audio-Technica AT 3035A condenser microphone with a large diaphragm (26 mm) for exceptional detail and low noise. It has high max SPL, wide dynamic range a...
Audio-Technica AT 3060A large-diaphragm tube design that does not need a dedicated power supply - it operates from 48V phantom power. The cardioid back-ele...For vertical use only
Audio-Technica AT 3525The AT3525 offers outstanding performance and versatility, a flat frequency response, and high SPL handling capability. It features a...For angled and vertical use
Audio-Technica AT 4033a/CLThe AT4033a/Cl is recommended for professional recording and critical applications in broadcast and live sound. Its symmetrical, tran...For angled and vertical use
Audio-Technica AT 4040An externally-polarized (DC bias) true condenser design for professional recording and critical applications in broadcast and live so...For angled and vertical use
Audio-Technica AT 4047/SVDesigned for professional recording and critical applications in broadcast and live sound, the AT4047/SV has a transformer-coupled ou...For vertical use only
Audio-Technica AT 4060This microphone combines a vintage tube sound with the versatile performance necessary for the most demanding studio applications. It...For vertical use only
Audio-Technica ATM 250A single capsule kick drum microphone using a dynamic element and capable of handling very high SPLs. The capsule uses a neodymium ma...For angled and vertical use
Audio-Technica ATM 250DE-cA kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s...For angled and vertical use
Audio-Technica ATM 250DE-dA kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s...For angled and vertical use
Audix CX-111A true condenser microphone of classic design. The capsule is a 25mm gold-sputtered single diaphragm type. The housing is machined br...For vertical use only
Audix CX-112A large (1.07') diaphragm studio microphone using an edge-terminated capsule. It has very low noise circuitry and a fixed cardioid pa...For vertical use only
Audix CX-212A large diaphragm studio microphone with a 25mm capsule. The polar pattern is multi-pattern.For vertical use only
Audix D-6A cardioid dynamic microphone for kick drum applications utilizing VLM technology.For angled and vertical use
Behringer B2A dual diaphragm design with a 1' capsule which can be selected to either an omni or a cardioid pattern. It uses a transformerless ou...For vertical use only
Behringer C1A large diaphragm studio microphone with a flat response and ultra low-noise transformerless FET electronics.For vertical use only
Berliner Microphones USA U7A large-diaphragm studio microphone with a fixed polar pattern. The capsule is a centre contact type with a 6-micron gold-evaporated ...For vertical use only
BeyerDynamic M 99Very large capsule microphone for low frequency instruments such as kick-drum, double bass and tenor saxophone. Also recommended as a...For vertical use only
BeyerDynamic MC 740Large, gold vaporised diaphragm, true condenser microphone with switchable polar patterns for precise audio recordings.For angled and vertical use
BeyerDynamic MC 742This microphone has been withdrawn.For vertical use only
BeyerDynamic MC 834A popular large diaphragm recording microphone with a three-position low frequency roll-off and two-position attenuator.For angled and vertical use
BeyerDynamic MC 840A compact large-diaphragm studio microphone with a variable polar pattern. It has gold vapour-coated double diaphragms and is based o...For angled and vertical use
BeyerDynamic MCD 100Digital condenser microphone with integral processor for direct-to-digital recording systems. The conversion has 22 bit resolution gi...For angled and vertical use
BeyerDynamic MCD 101Digital condenser microphone with integral processor for direct-to-digital recording systems. It is an omnidirectional version of the...For angled and vertical use
BeyerDynamic MCE 90Large condenser microphone for project studio and general purpose recording. Exceptional dynamic range.For angled and vertical use
Blue Baby BottleFollowing in the footsteps of our acclaimed tube Bottle mic system, the Baby Bottle is truly a chip off the old block. Each and every...For angled and vertical use
Bock Audio Bock 151The Bock 151 is a lower-priced version of the 251 microphone with a fixed cardioid pattern. A 'brite/normal' switch is added to allow...For vertical use only
Bock Audio Bock 195A fixed pattern studio microphone with a large (25mm) diaphragm capsule - dual symmetrical backplate (K67 style). The electronics are...For vertical use only
Bock Audio Bock 251A large diaphragm studio microphone that emulates a vintage '251'. The design uses a hand-wound multi-section transformer. This is ov...For vertical use only
CAD Professional Microphones GXL 2200The GXL2200 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this micropho...For angled and vertical use
CAD Professional Microphones GXL 2400The GXL2400 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this micropho...For angled and vertical use
CAD Professional Microphones GXL3000A large diaphragm multi-pattern studio microphone. The capsule is 1' gold vapour deposited.For vertical use only
CAD Professional Microphones M177Using the latest computer modelling tools has resulted in a microphone that features the best of old world and new world technology a...For vertical use only
Canford Audio CSM41This studio-grade, large diaphragm condenser features a 25mm gold sputtered diaphragm, balanced transformer output, and a machined br...For vertical use only
Electrovoice RE27N/DA dynamic cardioid optimised for broadcast voice purposes. It has high sensitivity and an undistorted output at high SPL together wit...For vertical use only
Manley Laboratories CR-2001The LANGEVIN CR-2001 is Manley's entry model cardioid capacitor microphone, very handy for recording just about anything. The capsule...For vertical use only
Manley Laboratories Langevin CR-3AThe Langevin CR-3A is a cardioid capacitor microphone suitable for all-purpose use in recording of music, vocals, and speech. Powered...For vertical use only
Marshall Electronics MXL 1006The MXL 1006 has a cardioid polar pattern and solid-state preamp circuitry. It uses a balanced transistor output for maximum frequenc...For vertical use only
Marshall Electronics MXL 2001This condenser mic has a large (1') gold-sputtered diaphragm, with FET preamp and balanced transformer output. It comes in a heavy du...For vertical use only
Marshall Electronics MXL 2003Large (1.06') gold-sputtered diaphragm studio microphone, with balanced transformerless output and three-position switch for bass rol...For vertical use only
Marshall Electronics MXL 2006A large diaphragm studio condenser microphone with Class A FET electronics and a transformerless output. The capsule is a 25mm type.<...For vertical use only
Marshall Electronics MXL 909A 1' large diaphragm studio microphone with FET electronics.For vertical use only
Marshall Electronics MXL DRKA self-powered studio microphone for connection to PCs. The DRK-mac has an MXL Mic Boost interface.For vertical use only
Marshall Electronics MXL M3The M3 is a large diaphragm studio microphone. The 25mm diaphragm is 6 micron gold-sputtered and the electronics are all-FET with a t...For vertical use only
Marshall Electronics MXL V6A side-address studio microphone. The 'Silicon valve' design uses a FET electronics to emulate a valve-sound. The capsule is a 25mm 6...For vertical use only
Marshall Electronics MXL V67Large (1') gold-sputtered diaphragm condenser, with FET preamp and balanced transformer output. Comes in a vintage design heavy-duty...For vertical use only
Marshall Electronics MXL V67iA version of the V67(G) large diaphragm studio microphone. This version has two switch selectable diaphragms with different character...For vertical use only
Marshall Electronics MXL V69The MXL V69 is a classic large diaphragm Tube Microphone. Its classic sound enhances vocal and instrument performances. The extremely...For vertical use only
Marshall Electronics MXL V76tA large diaphragm studio microphone at an economical price. The capsule is a 25mm single diaphragm design.For vertical use only
Marshall Electronics MXL V77Large (1') gold-sputtered diaphragm coupled to a 6072 vacuum tube, known for its low inherent noise and broad dynamic range. Comes in...For vertical use only
Marshall Electronics MXL V88A studio microphone with a large diaphragm capsule but a relatively short body. The capsule is a 32mm 6 micron gold sputtered type. T...For vertical use only
M-Audio LunaA single pattern cardioid condenser with a lollipop-style all-brass capsule. The diaphragm is 1.1' and gold evaporated. A tight toler...For vertical use only
M-Audio NovaAn affordable large capsule cardioid condenser microphone. The 1.1' diaphragm is gold-evaporated and the capsule is machined brass. T...For vertical use only
M-Audio SolarisSimilar in style and construction to the Luna it is a triple pattern lollipop-style condenser microphone. It uses a dual-diaphragm 1....For vertical use only
M-Audio SputnikA large-diaphragm studio microphone using vacuum tube electronics and a transformer output. The capsule is a dual diaphragm type to a...For vertical use only
Microtech Gefell M 930The M 930 studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit tec...For angled and vertical use
Microtech Gefell M 940A supercardioid version of the M 930 microphone.For angled and vertical use
Microtech Gefell M 990The M 990 microphone combines a modern large diaphragm pick-up capsule with the warm, full sound quality of a vacuum tube amplifier, ...For angled and vertical use
Microtech Gefell UM 92.1 SThe UM 92.1 S studio microphone features Georg Neumann's legendary M 7 capsule. This pressure gradient transducer uses two large diam...For vertical use only
Milab DC-196A small format (narrow) studio microphone with a large rectangular capsule that is internally shock-mounted. Effective pop protection...For angled and vertical use
Milab DC-96BThe DC-96B's rectangular large dual membrane capsule gives a full bodied, exceptionally clean sound with natural brightness. A superb...For angled and vertical use
Milab DM1001Digital microphone with 24-bit/48kHz Sigma-Delta ADC, AES/EBU digital output, and computer controlled filters and polar patterns (fre...For vertical use only
Milab EMBLAEmbla (Eve in Scandinavian mythology) is built to produce a sound as close to the natural original as possible. It has variable, swit...For angled and vertical use
Milab VIP-50One of the most sophisticated vocal recording microphones ever made, this transformerless model offers variable patterns, 200/500Hz h...For angled and vertical use
Mojave Audio MA 200A large diaphragm (1') studio microphone with a tube (valve) electronics. The capsule is a hand-selected 3 micron type and a JAN5840 ...For vertical use only
Mojave Audio MA-201 fetA large diaphragm studio microphone using FET electronics and a (Jensen) transformer output. The capsule is a 25mm design with a 3 mi...For vertical use only
Nady SCM 1000True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s...For vertical use only
Nady SCM 800A large diaphragm studio condenser microphone with FET electronics.For angled and vertical use
Nady SCM 900Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ...For vertical use only
Nady SCM 910Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ...For vertical use only
Nady SCM 920Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ...For vertical use only
Nady SCM 950The SCM 950 is a large, pressure-gradient condenser with a gold-sputtered diaphragm and FET preamplifier. It has a transformerless ou...For angled and vertical use
Nady SCM 960A large diaphragm (25mm) studio microphone with both omni and cardioid polar patterns. The output is transformerless and the impedanc...
Nady SCM 980True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s...For vertical use only
Nady TCM 1050The TCM1050 has a classic vintage look and the performance of a legendary vacuum tube microphone at low cost. It has 1' 3 micron diap...For vertical use only
Nady TCM 1100A large diaphragm tube microphone with a vintage style. It uses a 1.1' 3 micron diaphragm and the classic 12AT7 vacuum tube together ...For vertical use only
Neumann SM 69 fetThe SM 69 fet stereo microphone has two separate dual-diaphragm capsules. These are mounted vertically and rotate against each other....For vertical use only
Neumann TLM 102The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum s...For angled and vertical use
Neumann TLM 103The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in s...For vertical use only
Neumann TLM 103DA digital version of the TLM 103. The design incorporates a solution-D converter and supports all standard sampling frequencies from ...For vertical use only
Neumann TLM 170The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage ...For vertical use only
Neumann TLM 193The TLM 193 is a large diaphragm microphone that continues Neumann's long tradition as well as offering high-end technology at an aff...For vertical use only
Neumann TLM 50A studio microphone based on the legendary M50. The capsule is flush mounted into the surface of a sphere, and this unique design giv...For vertical use only
Neumann TLM 67A studio microphone using the same K67 dual diaphragm capsule as the 1960's U67 studio workhorse. It is a classic large diaphragm des...For vertical use only
Neumann U 67For more information on this specific microphone, go to Neumanns website at http://neumannusa.com.For vertical use only
Neumann U 89 IA studio microphone for universal applications, the head-grille protects a dual diaphragm capsule, and a rotary switch selects from f...For vertical use only
Oktava MC 101A cardioid condenser microphone with a response that actually extends well beyond 20kHz.For angled and vertical use
Oktava MC 219The hugely popular Oktava MC219 is a fixed pattern cardioid microphone featuring a large diaphragm capsule teamed with low noise disc...For vertical use only
Oktava MC 220The MC 220 is a multidirectional microphone for recording and broadcast use.For vertical use only
Oktava MCL-319A single-pattern tube (valve) large-diaphragm studio condenser microphone.For vertical use only
Oktava MKL4000The MKL4000 is a tube (valve) cardioid microphone for recording and broadcast use.For vertical use only
Pearl CC 22The CC 22 uses the classic Pearl large rectangular dual membrane capsule. Its overall frequency response is from 20Hz to 25kHz. The s...For angled and vertical use
Pearl CC 22HThe CC22H uses the classic Pearl large rectangular dual membrane capsule, which has a unique design providing exceptionally flat fre...For angled and vertical use
Pearl CT40A rectangular capsule microphone that is almost identical to the DT40 but has a fixed cardioid pattern.For vertical use only
Pearl DS 60This microphone offers stereo recording in different modes. The microphone contains two (18Hz to 25kHz) rectangular dual membrane cap...For vertical use only
Pearl DT 40A variable pattern tube (valve) microphone with a rectangular capsule. The tube is a Nuvistor and the output uses an amorphous cored...For vertical use only
Pearl ELM-BA large diaphragm capacitor microphone using an unusual 'linear' rectangular capsule with a 7:1 length/width ratio. This technique re...For angled and vertical use
Pearl ELM-CA large diaphragm capacitor microphone using an unusual 'linear' rectangular capsule with a 7:1 length/width ratio. This technique re...For angled and vertical use
Pearl PML-CT40The PML-CT40 is a rectangular capsule microphone with a dual diaphragm. It has a fixed cardioid pattern. The electronics use a Nuvist...For vertical use only
Pearl PML-DT40The PML-DT40 is a rectangular capsule microphone with a dual diaphragm. It has five polar patterns, switchable at the PSU. The electr...For vertical use only
Pearl TL 4This microphone uses the classic Pearl capsule with rectangular dual membranes mounted back to back. The frequency range is 20Hz to 2...For angled and vertical use
Peluso 22 251A studio microphone styled on a vintage '251'. The large diaphragm capsule has dual diaphragms and nine polar patterns switched at th...For vertical use only
Peluso P StereoA stereo design for studio use which emulates an SM-69. It can be run from its own supply or P48 phantom (with a slightly reduced max...For vertical use only
Peluso P12A studio microphone inspired by the AKG C12. The dual diaphragm capsule is a 34mm edge-terminated type. The polar patterns is switcha...For vertical use only
Peluso P28A smaller diaphragm studio microphone along the lines of the AKG C28. The capsule is an 18mm edge-terminated type. An omni capsule ca...For angled and vertical use
Peluso R14A ribbon microphone for studio use. The magnet assembly is Neodymium to give high output.For vertical use only
Peluso SR14A stereo version of the R14.For vertical use only
Peluso TR14A version of the R14 but using a tube impedance converter to give a buffered output comparable to capacitor microphones.For vertical use only
Peluso VTBA large diaphragm studio microphone with a 'bottle' shape. The variable pattern (9 possible) can be disabled to give a fixed (single ...For vertical use only
RODE BroadcasterA fixed cardioid pattern microphone with a 1' transducer. It uses a JFET impedance converter with bipolar output buffer. The response...For vertical use only
RODE M3A studio or location microphone which can be powered from 9V battery or phantom power (P24 to P48). It is an end-fire design. There i...For angled and vertical use
RODE NT1A large capsule (25mm) condenser microphone with a JFET impedance converter and bipolar output buffer. The diaphragm is gold-sputtere...For angled and vertical use
RODE NT1000An externally polarised 1' pressure gradient condenser for studio use. It uses a closed-loop unity-gain impedance converter with JFET...For vertical use only
RODE NT2A multi-pattern large diaphragm condenser microphone with JFET impedance converter and bipolar output buffer. The dual gold-sputtered...For vertical use only
RODE NT3A slim and very stylish design with JFET impedance converter and bipolar output buffer. It uses an externally polarised 19mm capsule ...For vertical use only
Royer SF12The Royer SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and im...
Samson CL7A large diaphragm studio microphone. The capsule is a 1.1' 3 micron gold-sputtered type and the electronics are FET. Phantom operatio...For vertical use only
Sanken CU-44XOutput transformerless, unidirectional double condenser microphone specially designed for digital audio recording.

The CU-44X ...
For angled and vertical use
SE Electronics R1A studio microphone with a large ribbon transducer. The ribbon is 1.8micron aluminium, 45mm long x 4.5mm wide. The magnet assembly is...For vertical use only
Shure KSM44The KSM44 is a multi-pattern large-diaphragm studio condenser microphone. It uses dual ultra-thin Mylar diaphragms and has a Class A ...For vertical use only
Soundelux E250The E250 takes many of the qualities of the Elux 251 and fits them into a microphone that is specifically designed for close use (<...For vertical use only
Soundelux E251CA cardioid-only version of the Elux251. The response can be switched between 'brite' and 'normal'. The output transformer has been se...For vertical use only
Soundelux ELUX 251A multi-pattern tube condenser microphone.For vertical use only
Soundelux R-1A high quality large diaphragm FET condenser microphone with a transformerless output. Designed with broadcast speech in mind but equ...For vertical use only
Soundelux U195A cardioid FET microphone with extended bass response that can be both boosted and cut from 400Hz down to 10Hz. The capsule is a k67 ...For vertical use only
Soundelux U97A transformerless FET condenser microphone offering multi-pattern operation.For vertical use only
Soundelux U99The U99 is a large diaphragm multipattern tube microphone featuring continuously variable pattern selection at the power supply. The...For vertical use only
Soundfield ST 350A portable Soundfield-style microphone for coincident stereo and surround recording. It is intended for location use and is physicall...For angled and vertical use
Soundking SKEA006A large-diaphragm (1') multi-pattern studio microphone. There are 9 switchable polar responses.For vertical use only
Soundking SKEA008A tube (valve) studio microphone with a dual-diaphragm 1' capsule. It has nine switchable polar patterns.For vertical use only
Soundking SKEB001A three pattern FET preamplifier microphone for studio use.For vertical use only
Soundking SKEB004A single diaphragm FET microphone.For vertical use only
Superlux CM-H8AA side address cardioid with a 1' capsule. The diaphragm is a 3 micron gold evaporated design, and the electronics are FET with a tra...For vertical use only
Superlux CM-H8BA 1' capsule fixed pattern condenser microphone. It is ideal for studio recording, broadcast and live sound applications. The preampl...For vertical use only
Superlux CM-H8CA dual 1' capsule microphone with selectable polar patterns. It can handle high sound pressure levels and has low noise. The micropho...For vertical use only
Superlux ECO-H6AIn inexpensive studio microphone using a back electret capsule.For angled and vertical use

 

 

상품결제정보

무통장 입금은 상품 구매 대금은 PC뱅킹, 인터넷뱅킹, 텔레뱅킹 혹은 가까운 은행에서 직접 입금하시면 됩니다.  
주문시 입력한 입금자명과 실제입금자의 성명이 반드시 일치하여야 하며, 7일 이내로 입금을 하셔야 하며 입금되지 않은 주문은 자동취소 됩니다.
고액결제의 경우 안전을 위해 카드사에서 확인전화를 드릴 수도 있습니다.
확인과정에서 도난 카드의 사용이나 타인 명의의 주문 등 정상적인 주문이 아니라고 판단될 경우 임의로 주문을 보류 또는 취소할 수 있습니다.  

배송정보

배송 방법 : 택배
배송 지역 : 전국지역
배송 비용 : 3,000원
배송 기간 : 3일 ~ 7일
배송 안내 ○ 기본배송료는 3,000원입니다.
   (도서, 산간, 오지 및 일부 지역은 배송비가 추가될 수 있습니다)
○ 50,000원 이상 구매 시 무료 배송입니다.
○ 본 상품의 평균 배송 예정일은 2~3일입니다.
   ▷ 설치 상품의 경우 다소 늦어질 수 있습니다.
      (배송예정일은 주문시점(주문순서)에 따른 유동성이 발생하므로 평균 배송일과는 차이가 발생할 수 있습니다)

   ▷단, 연휴 및 공휴일은 기간 계산 시 제외하며, 현금 주문일 경우 입금일 기준입니다.

교환 및 반품정보

○ DAWmall은 소비자의 보호를 위해서 규정된 제반 법규를 준수합니다.

○ 교환/반품이 가능한 경우
    ▷ 반품/교환/환불은 A/S센터 또는 매장의 담당자와 통화 확인 후 처리가 가능합니다.
    ▷ 배송된 제품에 하자가 있거나 주문 내용과 다른 상품이 배송된 경우에는
        상품 수령일 기준 7일 이내에 반품/교환이 가능하며, 발생되는 배송비는 DAWmall에서 부담합니다.

○ 교환/반품이 불가능한 경우
    ▷ 단순 변심으로 인한 반품을 할 경우
        ▷ 상품 수령일로부터 7일 이내에 제품의 훼손이 없는 경우 가능 (이 경우 왕복 배송비는 고객 부담 처리)
        ▷ 상품 수령일 기준 8일째를 포함한 이후 - 단, 사전에 연락이 되었을 경우 기간 연장 가능
    ▷ 상품의 포장 또는 밀봉제품을 개봉하였거나 상품의 박스 외형이 오염 또는 훼손되어 상품의 가치가 저하된 경우
        ex) 설치형 상품(S/W, 슬롯설치형 인터페이스)
    ▷ 소비자의 주문으로 인한 맞춤 제품의 경우 (개별 시리얼이 발송되는 전자배송 상품 포함)
    ▷ 기타
       ▷ 컴퓨터와 연결되어 동작하는 제품의 경우, 자사에서 테스트를 거쳐 제품의 결함이 확인된 경우는 반품 및 교환 가능(단 교환 및 반품이 불가능한 경우에 해당되면 제외).
       ▷ 행사 상품/번들 구성의 제품 중 일부에 해당하는 제품의 주문을 취소할 경우, 할인 가격 적용 전 가격으로 제품의 가격을 정산 후 반품하는 제품의 차액을 환불

○ 초기불량 접수
    ▷ 상품 수령일로부터 7일 이내

○ 보증기간
    ▷ API / Avid / BAE / Directout / M-Audio / MOTU / PMC / SPL / 3Dio
     - 제품 상세페이지 및 공지사항 참고.

    ※ 제품보증기간은 제품의 무상교체 기간이 아닌, 제품수리에 대한 보증기간 입니다.
    ※ 소프트웨어는 품질보증제품에 해당되지 않습니다.

○ 보증기간 제외항목

    ▷ (주)뮤직메트로를 통해 유통되지 않은 경우 (해외구매자 및 직구)
    ▷ 제3자로부터 구입한 중고제품
    ▷ 일련 번호(serial number)가 제거되거나 훼손된 경우
    ▷ 제품을 임의로 분해 또는 개조한 흔적이 있는 경우
    ▷ 사설업체 수리 이력이 있는 경우
    ▷ 부적절한 설치 및 사용으로 인해 손상된 경우
    ▷ 햇빛 및 자외선에 장기간 노출되어 제품이 변색된 경우
    ▷ 다음을 포함하되 이에 국한되지 않는 물리적 손상 :
      - 화재, 침수, 누전으로 인한 제품 손상
      - 이격 또는 찌그러짐
      - 분실했거나 구부러진 부품
      - 천재지변으로 인한 제품 손상

○ 공통사항

    ▷  모든 A/S는 (주)뮤직메트로를 통해 유통된 정식 수입품에 한하여만 가능하며, 접수 시 반드시 구매 증빙자료(카드영수증, 구매내역서)를 첨부하여야 정식 서비스를 받으실 수 있습니다.
    ▷  초기불량을 제외한 보증기간 내에는 편도 반송운임이 청구되며, 보증기간 만료 시 왕복운임을 포함한 전체 수리비는 고객이 부담합니다.
    ▷  해외운임 발생 시 환율 및 유류세 적용으로 인한 금액 변동이 발생될 수 있습니다.
    ▷  A/S 게시판에 접수 되지 않은 제품은 서비스 불가합니다.
    ▷  수리 소요기간은 제품 접수순으로 진행됨에 따라 다소 지연될 수 있습니다. (국내수리 영업일 기준 14일 이상/ 해외수리 영업일 기준 30일 이상)
    ▷  타 수입처 제품의 경우 해당 수입처의 보증 정책을 준수합니다.

○ A/S 안내
    ▷ 무상 보증기간 일지라도 제조사의 정책에 따라 일부 제품 수리에 최소한의 실비가 청구될 수 있습니다.
    ▷ 소비자분쟁해결 기준(공정거래위원회 고시)에 따라 피해를 보상 받을 수 있습니다.
    ▷ A/S는 뮤직메트로에서 구입하신 제품만 가능하며, 타 업체 주문 건의 경우 판매자에게 문의하시기 바랍니다.



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